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Jim Carrey was once the king of movie comedies, but he’s been something of a recluse on the big screen over the last several years. His last string of starring roles came in 2013 and 2014 with the releases of “The Incredible Burt Wonderstone,” “Kick-Ass 2,” and “Dumb and Dumber To,” all of which misfired with critics and struggled at the box office. Although he appeared in a supporting role in this year’s “The Bad Batch,” he was unrecognizable and rejected all press opportunities to support the film. Continue reading.
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- Home
- About
- What is Dynamic Symmetry?
- The Art of Composition
-
Tips and Techniques
- 5 Myths About Composition (Video)
- 10 Points on Dynamic Symmetry
- 15 Myths About Composition in Art and Photography
- About This Website
- A Closer Look at the Rule of Thirds
- Adding the Human Element to Your Landscape Photographs
- Aerial Perspective
- A Master's Ideology on Camera Grids and Composition
- Arabesque
- Are Camera Design Grids Necessary for Photography?
- Armature of the Rectangle (Video)
- A Simple Application of Dynamic Symmetry (Examples)
- Aspective View
- Balance by Isolation
- Balance in Composition
- Breathing Room
- Bringing the 1.5 Rectangle Into the Golden Section System of Design
- Camera Grids for the Beginner
- Circular Composition
- Classical Balance
- Coincidences
- Composite Photography vs. Straight Photography
- Creating the Root Rectangles Within a Square
- Determining Grid Structure
- Determining Proportion
- Dutch Angle
- Echoing
- Edge Distractions
- Edge Elements That Work
- Ellipses
- Enclosures
- Entrance Into a Composition
- Exiting out of a Composition
- Figure-Ground Relationship
- Framing Within a Frame
- Gamut
- Gamut in Composition (Video)
- Gazing Direction
- Greatest Area of Contrast
- Greatest Area of Contrast (Video)
- Henri Cartier-Bresson and the 1.5 Rectangle
- Henri Cartier-Bresson (Etching the Dynamic Symmetry Grid)
- Henri Cartier-Bresson - Setting the Scene
- Hierarchy
- Horizontal vs. Vertical
- How Many Photographs to Take of a Scene
- How to Create a Design That Has Theme, Variation, and Harmony for Any Size Rectangle
- How to Create a Root Phi Rectangle
- Juxtaposition
- Learning How to Analyze Drawings, Paintings, and Photographs
- Michel Jacobs on Portrait Painting Using Dynamic Symmetry
- My Process for Photographing
- My Thoughts on Creativity and Camera Grids for the Professional Photographer
- Negative Shapes
- Notional Space
- Overlapping
- Photograph Kids Being Kids
- Placing One Eye Center
- Pointing Devices
- Points of Interest in a Design Grid
- Practicing Dynamic Symmetry Techniques at Museums
- Rabatment in Composition
- Radiating Lines
- Separating Elements
- Simultaneous Contrast
- Steelyard Principle
- Subdivision of Root Rectangles
- The 14 Line Armature and the Rule of Thirds Grid
- The 14 Line Armature (Video)
- The Art of Composition (Introduction)
- The Baroque, Sinister, and Reciprocal Diagonal Lines
- The Charles Bouleau Armature vs. The Root Rectangle Armature
- The Decisive Moment - by Henri Cartier-Bresson
- The Golden Section and the Phi Ratio (1.618)
- The Importance of a Thumbnail Image
- The Importance of the Armature of the Rectangle
- The Painter's Secret Geometry
- The Phi Rectangle (1.618) vs. The 1.5 Rectangle
- The Problem With the Rule of Odds
- The Root 2 Dynamic Symmetry Rectangle vs. The 1.5 Rectangle
- The Use of Straight Lines
- The Vertical, Horizontal, and Diagonal Line
- Two Methods of Design
- Using Dynamic Symmetry to Crop Photographs
- Vertical and Horizontal Balance
- What is Artistic Style?
- What Is Classical Skill-Based Design?
- Why Compose?
- Why Design Grids Are Important for Learning Composition
- Why the Background is Just as Important as the Subject
- 90 Degree Angles
- Design for Photographers
- FAQs
- Dynamic Symmetry Grids
-
Recommendations
-
Artists
>
- Abbas
- Olga Abramovo
- Nick Alm
- Christopher Anderson
- Keliy Anderson-Staley
- Michael John Angel
- George Angelini
- Denise Antaya
- Juliette Aristides
- Eric Armusik
- Eve Arnold
- Anna-Brith Arnsten
- Olivia Arthur
- Steven Assael
- Igor V. Babailov
- Anna Rose Bain
- Garin Baker
- Allan R. Banks
- Micha Bar-Am
- Bruno Barbey
- Colleen Barry
- Elizabeth Beard
- Alan Merris Bell
- Julie Bell
- Jonas Bendiksen
- Ian Berry
- Gulay Berryman
- Werner Bischof
- Kirsten Leah Bitzer
- Matt Black
- Sarah Blesener
- David Michael Bowers
- Roger Dale Brown
- Paul S. Brown
- Mary Ross Buchholz
- Kristie Bruzenak
- Nadir Bucan
- Dot Bunn
- Scott Burdick
- René Burri
- John Buxton
- Antoine Bruy
- Svetlana Cameron
- Dario Campanile
- Enri Canaj
- Cornell Capa
- Robert Capa
- Louis Carr
- Henri Cartier-Bresson
- Chien-Chi Chang
- Turjoy Chowdhury
- Jacob Collins
- Mary Jane Q Cross
- David Andrew Nishita Cheifetz
- Antoine d'Agata
- Carla D'aguanno
- Marcos Damascena
- Bruce Davidson
- Carl De Keyzer
- Jon deMartin
- Raymond Depardon
- Bieke Depoorter
- Stephanie Deshpande
- Patrick Devonas
- Paul P D'Haese
- Marina Dieul
- Shaun Downey
- Carolyn Drake
- Thomas Dworzak
- Nikos Economopoulos
- Virgil Elliott
- Megan K. Euell
- Philippe Faraut
- Louise Feneley
- Faripour Forouhar
- Martine Franck
- Stuart Franklin
- Leonard Freed
- Thomas Freteur
- Joke Frima
- Paul Fusco
- Tina Garrett
- Gilberto Geraldo
- Daniel Gerhartz
- Bruce Gilden
- Max Ginsberg
- Stephen Gjertson
- Burt Glinn
- Jim Goldberg
- Arina Gordienko
- Adrian Gottlieb
- David Gray
- Daniel Graves
- Daniel E. Greene
- Philip Jones Griffiths
- Harry Gruyaert
- Jean Guamy
- James Gurney
- Clark Gussin
- Mandy Hallenius
- Philippe Halsman
- Gordon Hanley
- David Hardy
- Price Harrison
- George Hartley
- Christine Hartman
- Erich Hartmann
- David Alan Harvey
- Seth Haverkamp
- Jeff Hein
- Tim Hetherington
- Ron Hicks
- Greg Hildebrandt
- Thomas Hoepker
- Sohrab Hura
- David Hurn
- Maureen Hyde
- Jason Patrick Jenkins
- Richard Kalvar
- Svetlana Kanyo
- Thomas Kegler
- Michael Vince Kim
- Michael Klein
- Josef Koudelka
- Wang Kun
- Alain Laboile
- Sarah Lamb
- Joshua LaRock
- Bryan Larsen
- Urban Larsson
- Herman Leonard
- Robert Liberace
- He Lihuai
- Edward Little
- Jeremy Lipking
- Vivian Maier
- Sally Mann
- Constantine Manos
- Diana Markosian
- Steve McCurry
- Sydney McGinley
- Sherrie McGraw
- Susan Meiselas
- Terje Adler Mork
- Karen Offutt
- Graydon Parrish
- Christopher Parrott
- Leszek Piotrowski
- Denise Pollack
- Aleksi Poutanen
- Christopher Pugliese
- Julio Reyes
- Lissa Rivera
- Cristina García Rodero
- Sergio Roffo
- Cesar Santos
- David Saxe
- Nelson Shanks
- Jordan Sokol
- Viktoria Sorochinski
- Paweł Starzec
- Victoria Steel
- Adrienne Stein
- Gwendolyn Stine
- Dennis Stock
- Vicki Sullivan
- Carol Lee Thompson
- Dan Thompson
- Larry Towell
- Hsin-Yao Tseng
- Boris Vallejo
- James Van Fossan
- Jeffrey R. Watts
- Patricia Watwood
- Alex Webb
- Morgan Weistling
- Shane Wolf
- Anna Wypych
- Robert Zeller
- Kailin Zhao
- Doug Zider
-
Books
>
- Classical Drawing Atelier - Introduction
- Classical Painting Atelier - Introduction
- Geometry of Design - Introduction
- Lessons in Classical Drawing - Introduction
- Lessons in Classical Painting - Introduction
- Limelight
- Perspective Made Easy
- Pictorial Composition: An Introduction
- The Art of Composition: A Simple Application of Dynamic Symmetry (1956)
- The Painter's Secret Geometry - Introduction
- The Rape of the Masters: How Political Correctness Sabotages Art
- Websites >
- Videos
-
Artists
>
-
Articles and Videos
- 3 Bad Habits All Photographers Should Break (Video)
- 3 Reasons Why Most Photography Workshops Aren't Worth the Money
- 5 Approaches to Composition in Photography (And Why They Won't Teach You Anything About Design)
- 5 Books Every Photographer Should Have (Video)
- 5 Tips For Surviving a Photography Portfolio Review
- A Brush With the Past
- An Email Addressing the Practical Use of Dynamic Symmetry in Art
- An Interview With Jacob Collins
- A New Direction in Art Education
- A New, Old Way to Teach Art
- A Resurgence of Art
- Art Can't Be Taught?
- Art Speak
- Art Educator Mandy Hallenius: Classical Training in Art Opens Creative Choices
- Artist Brendan Johnston’s Profound Search to Affirm Life
- Artist Robert Florczak: Classical Ideals Give Culture Depth
- Camera Gear - Why I Shoot With a Leica
- Camera Grids - Not a Tool for the Skilled Photographer
- Classical Realism - Antidote to Novelty Art
- Classical Realism- Part 1, 2, and 3
- Composition 101: Starting With the Basics
- Composition Can't Be Taught?
- Composition Should Always Come First
- Compositional Studies
- Consistency, Persistence, and Talent
- Distinguishing the Essential From the Accidental
- Drawing Is Back in Fashion
- Drawing Is the Heart by Juliette Aristides
- Dynamic Symmetry and Wildlife
- Dynamic Symmetry for Photographers
- Dynamic Symmetry and Henri Cartier-Bresson
- Everyone's a Photographer
- Feeling and Genius in Modern Art
- Film vs. Digital
- How Ingres Inspires Elizabeth Beard
- History Painting and the Problem with Art Education
- How Skilled Copyists Leave the Louvre with a Masterpiece Every Year
- How the Arts Develop the Young Brain
- If Anything's Art, Art's Nothing
- If Everything Is Art, Then Nothing Is Art
- If Myron Barnstone Can't Do It, Why Do You Think You Can?
- Interview With Patricia Watwood
- Intuition in Composition (Master Artists)
- Intuitive Knowledge in Composition (Master Photographers)
- Intuition in Composition: A Topic I Will Never Debate
- Isn't There Something Incomprehensible, Magical, or Mystical About Art?
- Is Photography Art?
- Juliette Aristides on Composition: From the Book "Classical Drawing Atelier
- Juliette Aristides: On Myron Barnstone
- Juliette Aristides On TRAC With the Atelier Movement
- Keep Your Composure
- Kenyon Cox on Modern Art and Composition
- Learning the Rules of Composition and Then Breaking Them
- Mastering Classical Realism With Juliette Aristides
- Michel Jacobs on Rules and Laws in Composition
- Misunderstanding the Decisive Moment
- My Experience With Myron Barnstone
- Myron Barnstone: A Life's Work
- Myron Barnstone: An art career in perspective
- Nick Alm: Derived From Empathy
- One Question with Juliette Aristides
- Practice Doesn't Always Guarantee Success
- Priceless Advice: A Personal Email From Myron Barnstone
- Realism: The Path to Beauty
- The Academic Process (Video)
- The Art of Seeing and Visual Literacy
- The Art of Selection
- The Atelier Approach to Art Education
- The Armature of the Rectangle
- The Consequences of Taking a Stand
- The Da Vinci Initiative
- The Difference Between a Fine Art Print and a Work of Art
- The Failure of Art Education in America
- The Gap Between Photography and Art
- The Legacy of Richard Lack
- The New Old Masters
- The Number One Reason Why a Work of Art Will Fail
- The Pendulum Has Swung With a Vengeance
- The Place of Photography in Fine Art
- The Road to Visual Literacy
- What Are the Benefits of Atelier Training?
- Why I Let Others Advertise for Me
- Why Is Modern Art So Bad? (Video)
- Why I Wrote a User's Guide for Artists and Photographers
- Why Your Feelings Don't Matter
- Art Highlights
- Contact
- Donate
- Home
- About
- What is Dynamic Symmetry?
- The Art of Composition
-
Tips and Techniques
- 5 Myths About Composition (Video)
- 10 Points on Dynamic Symmetry
- 15 Myths About Composition in Art and Photography
- About This Website
- A Closer Look at the Rule of Thirds
- Adding the Human Element to Your Landscape Photographs
- Aerial Perspective
- A Master's Ideology on Camera Grids and Composition
- Arabesque
- Are Camera Design Grids Necessary for Photography?
- Armature of the Rectangle (Video)
- A Simple Application of Dynamic Symmetry (Examples)
- Aspective View
- Balance by Isolation
- Balance in Composition
- Breathing Room
- Bringing the 1.5 Rectangle Into the Golden Section System of Design
- Camera Grids for the Beginner
- Circular Composition
- Classical Balance
- Coincidences
- Composite Photography vs. Straight Photography
- Creating the Root Rectangles Within a Square
- Determining Grid Structure
- Determining Proportion
- Dutch Angle
- Echoing
- Edge Distractions
- Edge Elements That Work
- Ellipses
- Enclosures
- Entrance Into a Composition
- Exiting out of a Composition
- Figure-Ground Relationship
- Framing Within a Frame
- Gamut
- Gamut in Composition (Video)
- Gazing Direction
- Greatest Area of Contrast
- Greatest Area of Contrast (Video)
- Henri Cartier-Bresson and the 1.5 Rectangle
- Henri Cartier-Bresson (Etching the Dynamic Symmetry Grid)
- Henri Cartier-Bresson - Setting the Scene
- Hierarchy
- Horizontal vs. Vertical
- How Many Photographs to Take of a Scene
- How to Create a Design That Has Theme, Variation, and Harmony for Any Size Rectangle
- How to Create a Root Phi Rectangle
- Juxtaposition
- Learning How to Analyze Drawings, Paintings, and Photographs
- Michel Jacobs on Portrait Painting Using Dynamic Symmetry
- My Process for Photographing
- My Thoughts on Creativity and Camera Grids for the Professional Photographer
- Negative Shapes
- Notional Space
- Overlapping
- Photograph Kids Being Kids
- Placing One Eye Center
- Pointing Devices
- Points of Interest in a Design Grid
- Practicing Dynamic Symmetry Techniques at Museums
- Rabatment in Composition
- Radiating Lines
- Separating Elements
- Simultaneous Contrast
- Steelyard Principle
- Subdivision of Root Rectangles
- The 14 Line Armature and the Rule of Thirds Grid
- The 14 Line Armature (Video)
- The Art of Composition (Introduction)
- The Baroque, Sinister, and Reciprocal Diagonal Lines
- The Charles Bouleau Armature vs. The Root Rectangle Armature
- The Decisive Moment - by Henri Cartier-Bresson
- The Golden Section and the Phi Ratio (1.618)
- The Importance of a Thumbnail Image
- The Importance of the Armature of the Rectangle
- The Painter's Secret Geometry
- The Phi Rectangle (1.618) vs. The 1.5 Rectangle
- The Problem With the Rule of Odds
- The Root 2 Dynamic Symmetry Rectangle vs. The 1.5 Rectangle
- The Use of Straight Lines
- The Vertical, Horizontal, and Diagonal Line
- Two Methods of Design
- Using Dynamic Symmetry to Crop Photographs
- Vertical and Horizontal Balance
- What is Artistic Style?
- What Is Classical Skill-Based Design?
- Why Compose?
- Why Design Grids Are Important for Learning Composition
- Why the Background is Just as Important as the Subject
- 90 Degree Angles
- Design for Photographers
- FAQs
- Dynamic Symmetry Grids
-
Recommendations
-
Artists
>
- Abbas
- Olga Abramovo
- Nick Alm
- Christopher Anderson
- Keliy Anderson-Staley
- Michael John Angel
- George Angelini
- Denise Antaya
- Juliette Aristides
- Eric Armusik
- Eve Arnold
- Anna-Brith Arnsten
- Olivia Arthur
- Steven Assael
- Igor V. Babailov
- Anna Rose Bain
- Garin Baker
- Allan R. Banks
- Micha Bar-Am
- Bruno Barbey
- Colleen Barry
- Elizabeth Beard
- Alan Merris Bell
- Julie Bell
- Jonas Bendiksen
- Ian Berry
- Gulay Berryman
- Werner Bischof
- Kirsten Leah Bitzer
- Matt Black
- Sarah Blesener
- David Michael Bowers
- Roger Dale Brown
- Paul S. Brown
- Mary Ross Buchholz
- Kristie Bruzenak
- Nadir Bucan
- Dot Bunn
- Scott Burdick
- René Burri
- John Buxton
- Antoine Bruy
- Svetlana Cameron
- Dario Campanile
- Enri Canaj
- Cornell Capa
- Robert Capa
- Louis Carr
- Henri Cartier-Bresson
- Chien-Chi Chang
- Turjoy Chowdhury
- Jacob Collins
- Mary Jane Q Cross
- David Andrew Nishita Cheifetz
- Antoine d'Agata
- Carla D'aguanno
- Marcos Damascena
- Bruce Davidson
- Carl De Keyzer
- Jon deMartin
- Raymond Depardon
- Bieke Depoorter
- Stephanie Deshpande
- Patrick Devonas
- Paul P D'Haese
- Marina Dieul
- Shaun Downey
- Carolyn Drake
- Thomas Dworzak
- Nikos Economopoulos
- Virgil Elliott
- Megan K. Euell
- Philippe Faraut
- Louise Feneley
- Faripour Forouhar
- Martine Franck
- Stuart Franklin
- Leonard Freed
- Thomas Freteur
- Joke Frima
- Paul Fusco
- Tina Garrett
- Gilberto Geraldo
- Daniel Gerhartz
- Bruce Gilden
- Max Ginsberg
- Stephen Gjertson
- Burt Glinn
- Jim Goldberg
- Arina Gordienko
- Adrian Gottlieb
- David Gray
- Daniel Graves
- Daniel E. Greene
- Philip Jones Griffiths
- Harry Gruyaert
- Jean Guamy
- James Gurney
- Clark Gussin
- Mandy Hallenius
- Philippe Halsman
- Gordon Hanley
- David Hardy
- Price Harrison
- George Hartley
- Christine Hartman
- Erich Hartmann
- David Alan Harvey
- Seth Haverkamp
- Jeff Hein
- Tim Hetherington
- Ron Hicks
- Greg Hildebrandt
- Thomas Hoepker
- Sohrab Hura
- David Hurn
- Maureen Hyde
- Jason Patrick Jenkins
- Richard Kalvar
- Svetlana Kanyo
- Thomas Kegler
- Michael Vince Kim
- Michael Klein
- Josef Koudelka
- Wang Kun
- Alain Laboile
- Sarah Lamb
- Joshua LaRock
- Bryan Larsen
- Urban Larsson
- Herman Leonard
- Robert Liberace
- He Lihuai
- Edward Little
- Jeremy Lipking
- Vivian Maier
- Sally Mann
- Constantine Manos
- Diana Markosian
- Steve McCurry
- Sydney McGinley
- Sherrie McGraw
- Susan Meiselas
- Terje Adler Mork
- Karen Offutt
- Graydon Parrish
- Christopher Parrott
- Leszek Piotrowski
- Denise Pollack
- Aleksi Poutanen
- Christopher Pugliese
- Julio Reyes
- Lissa Rivera
- Cristina García Rodero
- Sergio Roffo
- Cesar Santos
- David Saxe
- Nelson Shanks
- Jordan Sokol
- Viktoria Sorochinski
- Paweł Starzec
- Victoria Steel
- Adrienne Stein
- Gwendolyn Stine
- Dennis Stock
- Vicki Sullivan
- Carol Lee Thompson
- Dan Thompson
- Larry Towell
- Hsin-Yao Tseng
- Boris Vallejo
- James Van Fossan
- Jeffrey R. Watts
- Patricia Watwood
- Alex Webb
- Morgan Weistling
- Shane Wolf
- Anna Wypych
- Robert Zeller
- Kailin Zhao
- Doug Zider
-
Books
>
- Classical Drawing Atelier - Introduction
- Classical Painting Atelier - Introduction
- Geometry of Design - Introduction
- Lessons in Classical Drawing - Introduction
- Lessons in Classical Painting - Introduction
- Limelight
- Perspective Made Easy
- Pictorial Composition: An Introduction
- The Art of Composition: A Simple Application of Dynamic Symmetry (1956)
- The Painter's Secret Geometry - Introduction
- The Rape of the Masters: How Political Correctness Sabotages Art
- Websites >
- Videos
-
Artists
>
-
Articles and Videos
- 3 Bad Habits All Photographers Should Break (Video)
- 3 Reasons Why Most Photography Workshops Aren't Worth the Money
- 5 Approaches to Composition in Photography (And Why They Won't Teach You Anything About Design)
- 5 Books Every Photographer Should Have (Video)
- 5 Tips For Surviving a Photography Portfolio Review
- A Brush With the Past
- An Email Addressing the Practical Use of Dynamic Symmetry in Art
- An Interview With Jacob Collins
- A New Direction in Art Education
- A New, Old Way to Teach Art
- A Resurgence of Art
- Art Can't Be Taught?
- Art Speak
- Art Educator Mandy Hallenius: Classical Training in Art Opens Creative Choices
- Artist Brendan Johnston’s Profound Search to Affirm Life
- Artist Robert Florczak: Classical Ideals Give Culture Depth
- Camera Gear - Why I Shoot With a Leica
- Camera Grids - Not a Tool for the Skilled Photographer
- Classical Realism - Antidote to Novelty Art
- Classical Realism- Part 1, 2, and 3
- Composition 101: Starting With the Basics
- Composition Can't Be Taught?
- Composition Should Always Come First
- Compositional Studies
- Consistency, Persistence, and Talent
- Distinguishing the Essential From the Accidental
- Drawing Is Back in Fashion
- Drawing Is the Heart by Juliette Aristides
- Dynamic Symmetry and Wildlife
- Dynamic Symmetry for Photographers
- Dynamic Symmetry and Henri Cartier-Bresson
- Everyone's a Photographer
- Feeling and Genius in Modern Art
- Film vs. Digital
- How Ingres Inspires Elizabeth Beard
- History Painting and the Problem with Art Education
- How Skilled Copyists Leave the Louvre with a Masterpiece Every Year
- How the Arts Develop the Young Brain
- If Anything's Art, Art's Nothing
- If Everything Is Art, Then Nothing Is Art
- If Myron Barnstone Can't Do It, Why Do You Think You Can?
- Interview With Patricia Watwood
- Intuition in Composition (Master Artists)
- Intuitive Knowledge in Composition (Master Photographers)
- Intuition in Composition: A Topic I Will Never Debate
- Isn't There Something Incomprehensible, Magical, or Mystical About Art?
- Is Photography Art?
- Juliette Aristides on Composition: From the Book "Classical Drawing Atelier
- Juliette Aristides: On Myron Barnstone
- Juliette Aristides On TRAC With the Atelier Movement
- Keep Your Composure
- Kenyon Cox on Modern Art and Composition
- Learning the Rules of Composition and Then Breaking Them
- Mastering Classical Realism With Juliette Aristides
- Michel Jacobs on Rules and Laws in Composition
- Misunderstanding the Decisive Moment
- My Experience With Myron Barnstone
- Myron Barnstone: A Life's Work
- Myron Barnstone: An art career in perspective
- Nick Alm: Derived From Empathy
- One Question with Juliette Aristides
- Practice Doesn't Always Guarantee Success
- Priceless Advice: A Personal Email From Myron Barnstone
- Realism: The Path to Beauty
- The Academic Process (Video)
- The Art of Seeing and Visual Literacy
- The Art of Selection
- The Atelier Approach to Art Education
- The Armature of the Rectangle
- The Consequences of Taking a Stand
- The Da Vinci Initiative
- The Difference Between a Fine Art Print and a Work of Art
- The Failure of Art Education in America
- The Gap Between Photography and Art
- The Legacy of Richard Lack
- The New Old Masters
- The Number One Reason Why a Work of Art Will Fail
- The Pendulum Has Swung With a Vengeance
- The Place of Photography in Fine Art
- The Road to Visual Literacy
- What Are the Benefits of Atelier Training?
- Why I Let Others Advertise for Me
- Why Is Modern Art So Bad? (Video)
- Why I Wrote a User's Guide for Artists and Photographers
- Why Your Feelings Don't Matter
- Art Highlights
- Contact
- Donate