Paul Fusco worked as a photographer with the United States Army Signal Corps in Korea from 1951 to 1953, before studying photojournalism at Ohio University, where he received his Bachelor of Fine Arts degree in 1957. He moved to New York City and started his career as a staff photographer with Look, where he remained until 1971.
In this role, he produced important reportages on social issues in the US, including the plight of destitute miners in Kentucky; Latino ghetto life in New York City; cultural experimentation in California; African-American life in the Mississippi Delta; religious proselytizing in the South; and migrant laborers. He also worked in England, Israel, Egypt, Japan, Southeast Asia, Brazil, Chile, and Mexico, and made an extended study of the Iron Curtain countries, from northern Finland to Iran.
After Look closed down, Fusco approached Magnum Photos, becoming an associate in 1973 and a full member the following year. His photography has been published widely in major US magazines including Time, Life, Newsweek, the New York Times Magazine, Mother Jones and Psychology Today, as well as in other publications worldwide.
Fusco moved to Mill Valley, California, on July 4th, 1970 to photograph the lives of the oppressed and of those with alternative lifestyles. Among his latest subjects are people living with AIDS in California, homelessness and the welfare system in New York, and the Zapatista uprising in the Mexican state of Chiapas. He has also worked on a long-term project documenting Belarussian children and adults sickened by radioactive fallout from the Chernobyl explosion. He is now based in New York City.
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As I began reading about the old world masters, including da Vinci, Degas, Rembrandt, and Renoir, I learned that Dynamic Symmetry structurally changed paintings from being passive to active and dynamic. Furthermore, I didn’t realize that a small, yet renowned, group of photographers were well known for using Dynamic Symmetry in their photographs of city life and people. My journey began by reading. The Dynamic Symmetry Art website has numerous resources that gave me a crash course in art and composition. I had to learn about the visual properties of different kinds of rectangles and how each can be divided into compositional elements. Then I began using the Dynamic Symmetry grid overlays in Lightroom to analyze and crop my photos. I have found dynamicsymmetryart.com extremely beneficial, and it has contributed immensely with my efforts to improve as a photographer. Thank you for your commitment to art and art education." - Warren Wish
"With the passing of Myron Barnstone, we lost a great resource on the application of the Rectangles of the Masters and the Golden Section in creating art. But the website dynamicsymmetryart.com is carrying on that work Myron so thoroughly believed in and taught. Dynamic Symmetry can be used in the simplest of ways as well as being infinitely complex if one desires. Great minds such as Leonardo da Vinci recognized the power that this compositional tool offers. Dynamicsymmetryart.com is an amazing reference for artists who are open to exploring the benefits of using Dynamic Symmetry in their work. It applies to all the arts and resonates at a primal level of understanding harmony and beauty. Much thanks to James Cowman for his dedication to furthering this information to the public." - Master Artist and Teacher, Dot Bunn, Red Stone Farm Studio