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    • Price Harrison
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    • Jeff Hein
    • Tim Hetherington
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    • Greg Hildebrandt
    • Thomas Hoepker
    • ​Sohrab Hura
    • David Hurn
    • Maureen Hyde
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    • Richard Kalvar
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    • Thomas Kegler
    • Michael Vince Kim
    • Michael Klein
    • Josef Koudelka
    • Wang Kun
    • Alain Laboile
    • Sarah Lamb
    • Joshua LaRock
    • Bryan Larsen
    • Urban Larsson
    • Herman Leonard
    • Robert Liberace​
    • He Lihuai
    • Edward Little
    • Jeremy Lipking
    • Vivian Maier
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    • Constantine Manos
    • Diana Markosian
    • Steve McCurry
    • Sydney McGinley
    • Sherrie McGraw
    • Susan Meiselas
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    • Dennis Stock
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    • James Van Fossan
    • Jeffrey R. Watts
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    • Dynamic Symmetry - The Greek Vase
    • Perspective Made Easy
    • Pictorial Composition and the Critical Judgment of Pictures
    • The Art of Composition: A Simple Application of Dynamic Symmetry
    • The Art of Composition: A Simple Application of Dynamic Symmetry (1956)
    • The Classic Point of View
    • The Elements of Dynamic Symmetry
    • Treatise in Landscape Painting
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    • Keep Your Composure
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    • Nick Alm: Derived From Empathy
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Drawing Is Back in Fashion as British Museum Offer Pencils and Paper for New Blockbuster Exhibition

4/5/2018

 
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by  Hannah Furness, arts correspondent

It was once the staple of every artist’s practice, before falling out of fashion at the hands of conceptual art, formaldehyde cows, and unmade beds.

But drawing is officially back, according to the British Museum, as it plans to offer pencils and sketchbooks at a major exhibition for the first time.

Staff at the museum said they had noticed a significant increase in art students and members of the public wanting to draw in its galleries, despite the proliferation of mobile phone cameras.

As such, they are to provide pencils, paper, rubbers and smudging clothes at its new blockbuster Rodin exhibition, inspired by the artist’s own visits to draw in its galleries in the late 19th century.

Curators hope to encourage the visiting public to look more closely at its objects, swapping a quick photograph, often uploaded onto social media, with the time it takes to sketch by hand.

In 2016, the V&A found itself facing criticism after banning drawing at a major temporary exhibition due to “loan restrictions.”

The British Museum will now ensure its examination of Rodin and the art of Ancient Greece sees objects given more space, allowing visitors to stand around them for longer to draw without impeding on others.

It has previously taken steps to revive the art form, sending its most important drawings on a tour in 2016, after learning modern art students are “more likely to have a blog than a sketchbook.”

Sarah Jaffray, who has been running a drawing project at the museum, said there had been a “huge surge” in art students wanting to study sketching, as a new generation rebelled against the last.

In years gone by, she suggested, the skill of drawing had fallen out of fashion and considered secondary to “concept,” so famously associated with Marcel Duchamp and his urinal “Fountain” and celebrated by the Young British Artists.

Even curators are now getting in on the revival, with after-hours drawing classes for themselves.

The Rodin drawing project was created by Melany Rose and Rebecca Penrose, who were in turn inspired by stories of the artist himself crediting sketching as the key to his sculpture.

Rodin is known to have visited the museum in 1881, with evidence of his sketches on notepaper taken from the nearby Thackeray Hotel where he stayed.

An activity pack, designed especially for families and provided free for visitors, includes a sketchbook, pencil, stencils, smudging cloth, rubber, activity sheet and artistic beret for inspiration.

Ms. Penrose said the exhibition was designed with more space around the objects than usual, with the Parthenon sculptures placed on lower plinths to allow visitors to see their detail more clearly.

Large windows will be left uncovered to allow the sculptures to be viewed in natural daylight, making it “an ideal exhibition for sketching.”

“We hope that people who want to draw in the exhibition will feel empowered, especially as Rodin was himself so passionate about drawing,” she said.

Sarah Jaffray, project officer for the Bridget Riley Art Foundation, said that when she started in 2014, drawing was “not a central part” of art students’ work.

“We found a lot of resistance to the idea that drawing was something that was interesting still,” she said.

“It's something that a lot of students do at sixth form, and then they want to reject it when they get to university. But there’s something in the air: students are becoming more and more interested in drawing and its diversity as a medium.

“There has been a huge surge of interest in drawing, in terms of artistic practice. There's a greater interested in how they can bring drawing back into what they do.”

Asked why attitudes had changed, she pointed to a generation of artists who had rejected traditional artistic training, including drawing, in favor of conceptual art.

Now, she suggested, a new generation is rebelling with a return to the artistic process, adding: “There’s a desire to get back into making, to getting your hands dirty.”

“It's the most basic form of art," she said. "The hope is that once people start to do it, they see how expressive and complex it can be and appreciate what other artists have done.”

Benedict Leigh, curator in the Middle East department, has created an after-hours drawing class for staff, to give them greater insight into their collection, with the Royal Drawing School coming in to run special courses.

“The premise was that before photography, curators would have had to draw things for display. Drawing is a really important way of really looking and learning about the objects.

“All museums are wanting to get people really looking at objects on display. From my perspective, I feel like you dwell on an object a lot more if you have a paper and pencil before you.

“It’s something which is growing. You go into galleries, and you see a lot more people drawing.”

The exhibition, Rodin and the Art of Ancient Greece, runs from April 26 to July 29.

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  • Shop
    • Dynamic Symmetry Art Membership
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    • Abbas
    • Olga Abramovo
    • Nick Alm
    • Christopher Anderson
    • Keliy Anderson-Staley
    • Michael John Angel
    • George Angelini
    • Denise Antaya
    • Juliette Aristides
    • Eric Armusik
    • Eve Arnold
    • Anna-Brith Arnsten
    • Olivia Arthur
    • Steven Assael
    • Igor V. Babailov
    • Anna Rose Bain
    • Garin Baker
    • Allan R. Banks
    • Micha Bar-Am
    • Bruno Barbey
    • Colleen Barry
    • Alan Merris Bell
    • Julie Bell
    • Jonas Bendiksen
    • Ian Berry
    • Gulay Berryman
    • ​Werner Bischof
    • Kirsten Leah Bitzer
    • Matt Black
    • Sarah Blesener
    • David Michael Bowers
    • Roger Dale Brown
    • Paul S. Brown
    • Mary Ross Buchholz
    • Kristie Bruzenak
    • Nadir Bucan
    • Dot Bunn
    • Scott Burdick
    • René Burri
    • John Buxton
    • Antoine Bruy
    • Svetlana Cameron
    • Dario Campanile
    • Enri Canaj
    • Cornell Capa
    • Robert Capa
    • Louis Carr
    • Henri Cartier-Bresson
    • Chien-Chi Chang
    • Turjoy Chowdhury
    • Jacob Collins
    • Mary Jane Q Cross
    • David Andrew Nishita Cheifetz
    • Antoine d'Agata
    • Carla D'aguanno
    • Marcos Damascena
    • Bruce Davidson
    • Carl De Keyzer
    • Jon deMartin
    • Raymond Depardon
    • Bieke Depoorter
    • Stephanie Deshpande
    • Patrick Devonas
    • Paul P D'Haese
    • Marina Dieul
    • Shaun Downey
    • Carolyn Drake
    • Thomas Dworzak
    • Nikos Economopoulos
    • Virgil Elliott
    • Megan K. Euell
    • Philippe Faraut
    • Faripour Forouhar
    • Martine Franck
    • Stuart Franklin
    • Leonard Freed
    • Thomas Freteur
    • Joke Frima
    • Paul Fusco
    • Tina Garrett
    • Gilberto Geraldo
    • Daniel Gerhartz
    • Bruce Gilden
    • Max Ginsberg
    • Stephen Gjertson
    • Burt Glinn
    • Jim Goldberg
    • Arina Gordienko
    • Adrian Gottlieb
    • David Gray
    • Daniel Graves
    • Daniel E. Greene
    • Philip Jones Griffiths
    • Harry Gruyaert
    • Jean Guamy
    • James Gurney
    • Clark Gussin
    • Mandy Hallenius
    • Philippe Halsman
    • Gordon Hanley
    • David Hardy
    • Price Harrison
    • George Hartley
    • Christine Hartman
    • Erich Hartmann
    • David Alan Harvey
    • Seth Haverkamp
    • Jeff Hein
    • Tim Hetherington
    • Ron Hicks
    • Greg Hildebrandt
    • Thomas Hoepker
    • ​Sohrab Hura
    • David Hurn
    • Maureen Hyde
    • Jason Patrick Jenkins
    • Richard Kalvar
    • Svetlana Kanyo​
    • Thomas Kegler
    • Michael Vince Kim
    • Michael Klein
    • Josef Koudelka
    • Wang Kun
    • Alain Laboile
    • Sarah Lamb
    • Joshua LaRock
    • Bryan Larsen
    • Urban Larsson
    • Herman Leonard
    • Robert Liberace​
    • He Lihuai
    • Edward Little
    • Jeremy Lipking
    • Vivian Maier
    • Sally Mann
    • Constantine Manos
    • Diana Markosian
    • Steve McCurry
    • Sydney McGinley
    • Sherrie McGraw
    • Susan Meiselas
    • Terje Adler Mork
    • Karen Offutt
    • Graydon Parrish
    • Christopher Parrott
    • Leszek Piotrowski
    • Denise Pollack
    • Aleksi Poutanen
    • Christopher Pugliese
    • Julio Reyes
    • Lissa Rivera
    • Cristina García Rodero
    • Sergio Roffo
    • Cesar Santos
    • David Saxe
    • Nelson Shanks
    • Jordan Sokol
    • Viktoria Sorochinski
    • Paweł Starzec
    • Victoria Steel
    • Gwendolyn Stine
    • Dennis Stock
    • Vicki Sullivan
    • Carol Lee Thompson
    • Dan Thompson
    • Larry Towell
    • Hsin-Yao Tseng
    • Boris Vallejo
    • James Van Fossan
    • Jeffrey R. Watts
    • ​Patricia Watwood
    • Alex Webb
    • Morgan Weistling
    • Shane Wolf
    • Anna Wypych
    • ​Robert Zeller
    • Kailin Zhao
    • Doug Zider
  • Books
    • Colour Control
    • Dynamic Symmetry in Composition
    • Dynamic Symmetry - The Greek Vase
    • Perspective Made Easy
    • Pictorial Composition and the Critical Judgment of Pictures
    • The Art of Composition: A Simple Application of Dynamic Symmetry
    • The Art of Composition: A Simple Application of Dynamic Symmetry (1956)
    • The Classic Point of View
    • The Elements of Dynamic Symmetry
    • Treatise in Landscape Painting
  • Articles & Videos
    • 3 Bad Habits All Photographers Should Break (Video)
    • 3 Reasons Why Most Photography Workshops Aren't Worth the Money
    • 5 Approaches to Composition in Photography (And Why They Won't Teach You Anything About Design)
    • 5 Myths About Composition (Video)
    • 14 Line Armature (Video)
    • An Email Addressing the Practical Use of Dynamic Symmetry in Art
    • A New, Old Way to Teach Art
    • Armature of the Rectangle (Video)
    • Art Can't Be Taught?
    • Art Educator Mandy Hallenius: Classical Training in Art Opens Creative Choices
    • Artist Robert Florczak: Classical Ideals Give Culture Depth
    • Breaking Down a Dynamic Symmetry Rectangle (Video)
    • Classical Realism- Part 1, 2, and 3
    • Classical Drawing Atelier - Introduction
    • Classical Painting Atelier - Introduction
    • Compositional Studies
    • Creating a Portfolio: Advice from Magnum
    • Drawing Is Back in Fashion
    • Drawing Is the Heart by Juliette Aristides
    • Dynamic Symmetry and Wildlife
    • Dynamic Symmetry for Photographers
    • Dynamic Symmetry and Henri Cartier-Bresson​
    • Dynamic Symmetry in Fine Art Sculpture
    • Film vs. Digital
    • Gamut in Composition (Video)
    • Geometry of Design - Introduction
    • Greatest Area of Contrast (Video)
    • History Painting and the Problem with Art Education
    • How Skilled Copyists Leave the Louvre with a Masterpiece Every Year
    • How the Arts Develop the Young Brain
    • If Anything's Art, Art's Nothing
    • If Everything Is Art, Then Nothing Is Art
    • Isn't There Something Incomprehensible, Magical, or Mystical About Art?
    • Is Photography Art?
    • Juliette Aristides on Composition: From the Book "Classical Drawing Atelier
    • Juliette Aristides: On Myron Barnstone
    • Juliette Aristides On TRAC With the Atelier Movement
    • Keep Your Composure
    • Kenyon Cox on Modern Art and Composition
    • Lessons in Classical Drawing - Introduction
    • Lessons in Classical Painting - Introduction
    • Magnum Photographers from Different Generations ​Talk About the Fabled Agency’s Past, Present, and Future
    • Mastering Classical Realism​ With Juliette Aristides
    • Myron Barnstone: A Life's Work
    • Myron Barnstone: An art career in perspective
    • Nick Alm: Derived From Empathy
    • One Question with Juliette Aristides
    • Pictorial Composition: An Introduction
    • Practice Doesn't Always Guarantee Success
    • Priceless Advice: A Personal Email From Myron Barnstone
    • The Art of Seeing and Visual Literacy
    • The Art of Selection
    • The Atelier Approach to Art Education
    • The Armature of the Rectangle
    • ​The Consequences of Taking a Stand
    • The Da Vinci Initiative
    • The Difference Between a Fine Art Print and a Work of Art
    • The Failure of Art Education in America
    • The Gap Between Photography and Art
    • The Number One Reason Why a Work of Art Will Fail
    • The Painter's Secret Geometry - Introduction
    • The Pendulum Has Swung With a Vengeance
    • The Place of Photography in Fine Art
    • The Road to Visual Literacy
    • What Are the Benefits of Atelier Trainin​g?
  • Art Highlights
  • Contact
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