Photograph above taken in Maine with a Leica MP-240
My Thoughts on Creativity and Camera Grids for the Professional Photographer
Because Dynamic Symmetry allows the artist to create an infinite number of compositions, photographers should never restrict creativity by locking their images into one design scheme. Photographers that continually use design grids on their camera, whether it be the Rule of Thirds or Dynamic Symmetry, are always faced with this problem.
While some online marketers claim camera grids are necessary for applying Dynamic Symmetry to a photograph these design educators lack real-world experience, misinterpret the application of Dynamic Symmetry in photography, are trying to increase camera grid sales, and overlook the critical fact that tools should benefit the artist, not restrict their artistic freedom. Camera grids are not only unnecessary but if overused a photographer's visual literacy skills become stunted and their images predictable and overly mechanical.
In my combined 36 years experience as a photographer, educator of design, and graphic artist I have yet to come across any highly skilled, historically relevant photographer that used camera grids to compose their images and for any professional to engage in such a practice would mean a loss of credibility. Photographers that are taking their first step towards learning more about the art of composition should fully understand that camera grids are an aid for the beginner student - not a tool for the skilled professional.
Why Design Is Not Intuitive (Click Below for a Demo Video)
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